The new full length documentary movie about Radio Birdman is here! Independent filmmaker Jonathan Sequeira's "Descent Into The Maelstrom” tells our story in a captivating and hard-hitting way. The film does not shy away from controversy and pulls no punches. It maintains the tradition of uncompromising artistic integrity that the band has always valued. THANK YOU AND CONGRATULATIONS to Jonathan Sequeira, Mark Sequeira and your crew ! http://descentintothemaelstrom.net/
Radio Birdman: brutally honest doco cements legacy of volatile Sydney punk band. The Guardian https://www.theguardian.com/film/2017/jun/10/radio-birdman-brutally-honest-doco-cements-legacy-of-volatile-sydney-punk-band
Radio Birdman was conceived by Deniz Tek and Rob Younger in mid 1974 in Sydney. With Ron Keeley, drummer; Pip Hoyle, keyboardist and Carl Rorke, bassist; they envisioned a band which would break rules and have no regard for the status quo of the rock business at that time. The band would play hard and with maximum effort from the members at all times, almost as though their lives were at stake. It was to be an art form created from a rock and roll song foundation, lit by passion. The performances were designed with no strict format or structure, and could go in any direction at any time. This would include forays into improvised visual as well as sonic realms. At any moment theatre or dance, even poetry reading, could occur. No two performances were the same. Each performance could have been the last.
The establishment reacted predictably. There were many doors slammed shut, engagements cancelled after the first song, often with the threat of actual physical violence and destruction as club bouncers were let loose on the band itself. The band had to resort to putting on its own shows in small community halls and the like. Later, they found a pub upstairs in Taylor Square which allowed them to perform without restrictions. This was the Oxford Tavern. Later the band took over its management, renaming it the Oxford Funhouse, and made it available for other like minded groups who followed.
Lineup changes inevitably occurred. Warwick Gilbert replaced Carl Rorke, and Chris Masuak replaced Pip Hoyle, who was later to return to the band.
An exclusive scene developed, at its center the couple of dozen friends and fans who had been there from the beginning. The Funhouse became the nidus for the incipient crystallisation of the Sydney "punk" scene even though the founders were not really a punk band.
Radio Birdman recorded an EP "Burn My Eye" and an album "Radios Appear", both low budget recordings made piecemeal at the 24 track Trafalgar Studios on days when the studio had no paying clients. The band and the studio created their own label and the records were self distributed, at a low price, cutting out the middle men.
When Sire records president Seymour Stein was in Australia to sign the Saints, he saw a Radio Birdman show at the Funhouse and licensed Radios Appear from Trafalgar, signing the band to a recording contract as well. The band wanted to rectify some of the things they didn't like about the album for the US and European release, so about half of it was re-recorded and some new material was added. They then toured Europe and England, recording a second album, Living Eyes, in Wales.
Radio Birdman were a volatile mix. The chemistry of the members combined to form a whole that was much more intense than the sum of the parts. In effect, a new force was created, whose energy seemed to empower some of the members but corrode others.
As hot as the band glowed, it was inevitable that it would relentlessly burn out its components. Given the human frailties of the individuals involved, it is a wonder that the first incarnation lasted as long as it did, finally giving up in June of 1978.
For years following this event, a wave of influence was unleashed which has encompassed the earth. An entire sub-subculture, tied loosely to the surf and skateboard movement, with tiny enclaves all over the world, has formed based on the cult of Radio Birdman. They are considered seminally important in the development of music in Australia, and their most dedicated fans are often musicians in other bands that are successful today.
Radio Birdman reformed in January of 1996 with all original 1978 members, and completed four national tours of Australia. Both critics and fans old and new feel that they more than lived up to the legend. They recorded a live album, "Ritualism", on the first of these tours. Initially it was only available by mail order on their own Crying Sun Records label, another low budget but high quality DIY project which is perfectly consistent with their earlier work both sonically and philosophically.
Following the departure, sequentially, of Warwick Gilbert (replaced by bassist Jim Dickson) and Ron Keeley (replaced transiently by Nik Rieth and enduringly by Russell Hopkinson), the band embarked on multiple successful European and North American tours, while continuing to play regularly in their home country. With the revamped rhythm section, they recorded an album of all new material, Zeno Beach (2006), which received 4 stars from Rolling Stone magazine:
" Zeno Beach ... is as fast and fierce as the few, hugely influential records the band made in its first lifetime. Even then, Radio Birdman never played punk rock as Warped Tour bands now define it, instead creating a then-unprecedented attack music from surf music, Nuggets-style garage, the primal assault of the Stooges and the twin-guitar terror of Blue Oyster Cult. It is still a rare blend of gunpowders, and the rejuvenated Birdman pack fistfuls into "You Just Make It Worse", "Locked Up", and especially the opening resurrection bulletin, "We've Come So Far (to Be Here Today)". Few bands of any vintage can say that with a straight face. Radio Birdman play it like they never stopped. * * * * Rolling Stone.
In 2007, Radio Birdman toured the world for the last time, often playing to sell-out crowds. They played more than 80 concerts in Australia, North America and Europe. The year's events included returning to Australia to accept the ARIA award for their induction into the Australian Music Hall of Fame.
Radio Birdman ceased touring after a long run of dates in Europe, ending in Athens, Greece in October of 2007.
The band released a definitive box set on the Citadel label in 2014. The box set included 7 CDs and 1 DVD, featuring remasters of the band's official releases plus a wealth of archived and previously unheard studio material. The Box also contains a professional recording of the 12/12/77 Paddington Town Hall concert.
In November 2014, the band was reassembled to promote the release of the Box Set, and played successful shows across Australia. The 2014 lineup continues to this day, and features Nik Rieth on drums and Dave Kettley on guitar (replacing long time member Chris Masuak), along with Jim Dickson (bass) and original founding members Rob Younger, Pip Hoyle, and Deniz Tek. Radio Birdman remains active as of this writing, with European and Australian tours completed in 2015 and 2016 and an upcoming tour in Australia in June 2017.
Carbie Warbie on Vimeo https://vimeo.com/carbiewarbie
HEY! Thank you for popping in and let me introduce myself. Everybody calls me "Carbie", as in carburettor. Since 2008, my mission has been to selflessly document the vibrant Melbourne Music Scene. People say that I am the hardest working music photographer in Australia and I am well known for being the #1 music photographer that best supports Melbourne's music loving community. Personally, I just see myself as a music nerd that just happens to have a camera and I get sheer joy in sharing my colourful photographs and videos of the musicians that I truly love.
My work has appeared on the front pages of THE AGE newspaper and in numerous prestigious music publications from Rolling Stone magazine, NME, Pitchfork, Stereogum, Spin, Rock'n'Folk (France), SXSW Magazine (USA), Triple J Magazine, Herald-Sun, FasterLouder, Mess+Noise, Tone Deaf, Music Feeds, Pedestrian.TV and 100's more. I am one of the official sponsors of the Reclink Community Cup - a charity football/music event that I have been covering since 2008, which now raises over more than $100,000 annually for disadvantaged Australians. I am Reclink Australia's official photographer and also a proud medal winner. My annual Community Cup Footy Cards raises funds for the charity and are a popular item sold at the merchandise desk.
I am the editor of the longest running Aussie music website, TheDwarf which has been online since 2002. CarbieWarbie's extensive social media network has over 75,000 worldwide followers on Facebook, Twitter, Instagram, YouTube and Vimeo. My videos have had over seven million worldwide views. Over the years I have shared hundreds of thousands of photographs on numerous websites and all over social media. I have photographed 1000's of events including Bluesfest in Byron Bay, Splendour In The Grass, Big Day Out, Soundwave, Falls Festival, Laneway, ATP, Queenscliff, River Rocks, White Night, TV Week Logie Awards, Australian MotoGP Grand Prix and more.
The new full length documentary movie about Radio Birdman is here!
ReplyDeleteIndependent filmmaker Jonathan Sequeira's "Descent Into The Maelstrom” tells our story in a captivating and hard-hitting way. The film does not shy away from controversy and pulls no punches. It maintains the tradition of uncompromising artistic integrity that the band has always valued.
THANK YOU AND CONGRATULATIONS to Jonathan Sequeira, Mark Sequeira and your crew !
http://descentintothemaelstrom.net/
Radio Birdman: brutally honest doco cements legacy of volatile Sydney punk band. The Guardian
ReplyDeletehttps://www.theguardian.com/film/2017/jun/10/radio-birdman-brutally-honest-doco-cements-legacy-of-volatile-sydney-punk-band
Radio Birdman was conceived by Deniz Tek and Rob Younger in mid 1974 in Sydney. With Ron Keeley, drummer; Pip Hoyle, keyboardist and Carl Rorke, bassist; they envisioned a band which would break rules and have no regard for the status quo of the rock business at that time. The band would play hard and with maximum effort from the members at all times, almost as though their lives were at stake. It was to be an art form created from a rock and roll song foundation, lit by passion. The performances were designed with no strict format or structure, and could go in any direction at any time. This would include forays into improvised visual as well as sonic realms. At any moment theatre or dance, even poetry reading, could occur. No two performances were the same. Each performance could have been the last.
ReplyDeleteThe establishment reacted predictably. There were many doors slammed shut, engagements cancelled after the first song, often with the threat of actual physical violence and destruction as club bouncers were let loose on the band itself. The band had to resort to putting on its own shows in small community halls and the like. Later, they found a pub upstairs in Taylor Square which allowed them to perform without restrictions. This was the Oxford Tavern. Later the band took over its management, renaming it the Oxford Funhouse, and made it available for other like minded groups who followed.
Lineup changes inevitably occurred. Warwick Gilbert replaced Carl Rorke, and Chris Masuak replaced Pip Hoyle, who was later to return to the band.
ReplyDeleteAn exclusive scene developed, at its center the couple of dozen friends and fans who had been there from the beginning. The Funhouse became the nidus for the incipient crystallisation of the Sydney "punk" scene even though the founders were not really a punk band.
Radio Birdman recorded an EP "Burn My Eye" and an album "Radios Appear", both low budget recordings made piecemeal at the 24 track Trafalgar Studios on days when the studio had no paying clients. The band and the studio created their own label and the records were self distributed, at a low price, cutting out the middle men.
When Sire records president Seymour Stein was in Australia to sign the Saints, he saw a Radio Birdman show at the Funhouse and licensed Radios Appear from Trafalgar, signing the band to a recording contract as well. The band wanted to rectify some of the things they didn't like about the album for the US and European release, so about half of it was re-recorded and some new material was added. They then toured Europe and England, recording a second album, Living Eyes, in Wales.
Radio Birdman were a volatile mix. The chemistry of the members combined to form a whole that was much more intense than the sum of the parts. In effect, a new force was created, whose energy seemed to empower some of the members but corrode others.
As hot as the band glowed, it was inevitable that it would relentlessly burn out its components. Given the human frailties of the individuals involved, it is a wonder that the first incarnation lasted as long as it did, finally giving up in June of 1978.
ReplyDeleteFor years following this event, a wave of influence was unleashed which has encompassed the earth. An entire sub-subculture, tied loosely to the surf and skateboard movement, with tiny enclaves all over the world, has formed based on the cult of Radio Birdman. They are considered seminally important in the development of music in Australia, and their most dedicated fans are often musicians in other bands that are successful today.
Radio Birdman reformed in January of 1996 with all original 1978 members, and completed four national tours of Australia. Both critics and fans old and new feel that they more than lived up to the legend. They recorded a live album, "Ritualism", on the first of these tours. Initially it was only available by mail order on their own Crying Sun Records label, another low budget but high quality DIY project which is perfectly consistent with their earlier work both sonically and philosophically.
Following the departure, sequentially, of Warwick Gilbert (replaced by bassist Jim Dickson) and Ron Keeley (replaced transiently by Nik Rieth and enduringly by Russell Hopkinson), the band embarked on multiple successful European and North American tours, while continuing to play regularly in their home country. With the revamped rhythm section, they recorded an album of all new material, Zeno Beach (2006), which received 4 stars from Rolling Stone magazine:
" Zeno Beach ... is as fast and fierce as the few, hugely influential records the band made in its first lifetime. Even then, Radio Birdman never played punk rock as Warped Tour bands now define it, instead creating a then-unprecedented attack music from surf music, Nuggets-style garage, the primal assault of the Stooges and the twin-guitar terror of Blue Oyster Cult. It is still a rare blend of gunpowders, and the rejuvenated Birdman pack fistfuls into "You Just Make It Worse", "Locked Up", and especially the opening resurrection bulletin, "We've Come So Far (to Be Here Today)". Few bands of any vintage can say that with a straight face. Radio Birdman play it like they never stopped. * * * * Rolling Stone.
ReplyDeleteIn 2007, Radio Birdman toured the world for the last time, often playing to sell-out crowds. They played more than 80 concerts in Australia, North America and Europe. The year's events included returning to Australia to accept the ARIA award for their induction into the Australian Music Hall of Fame.
Radio Birdman ceased touring after a long run of dates in Europe, ending in Athens, Greece in October of 2007.
The band released a definitive box set on the Citadel label in 2014. The box set included 7 CDs and 1 DVD, featuring remasters of the band's official releases plus a wealth of archived and previously unheard studio material. The Box also contains a professional recording of the 12/12/77 Paddington Town Hall concert.
In November 2014, the band was reassembled to promote the release of the Box Set, and played successful shows across Australia. The 2014 lineup continues to this day, and features Nik Rieth on drums and Dave Kettley on guitar (replacing long time member Chris Masuak), along with Jim Dickson (bass) and original founding members Rob Younger, Pip Hoyle, and Deniz Tek. Radio Birdman remains active as of this writing, with European and Australian tours completed in 2015 and 2016 and an upcoming tour in Australia in June 2017.
Carbie Warbie on Vimeo https://vimeo.com/carbiewarbie
ReplyDeleteHEY! Thank you for popping in and let me introduce myself. Everybody calls me "Carbie", as in carburettor. Since 2008, my mission has been to selflessly document the vibrant Melbourne Music Scene. People say that I am the hardest working music photographer in Australia and I am well known for being the #1 music photographer that best supports Melbourne's music loving community. Personally, I just see myself as a music nerd that just happens to have a camera and I get sheer joy in sharing my colourful photographs and videos of the musicians that I truly love.
My work has appeared on the front pages of THE AGE newspaper and in numerous prestigious music publications from Rolling Stone magazine, NME, Pitchfork, Stereogum, Spin, Rock'n'Folk (France), SXSW Magazine (USA), Triple J Magazine, Herald-Sun, FasterLouder, Mess+Noise, Tone Deaf, Music Feeds, Pedestrian.TV and 100's more. I am one of the official sponsors of the Reclink Community Cup - a charity football/music event that I have been covering since 2008, which now raises over more than $100,000 annually for disadvantaged Australians. I am Reclink Australia's official photographer and also a proud medal winner. My annual Community Cup Footy Cards raises funds for the charity and are a popular item sold at the merchandise desk.
I am the editor of the longest running Aussie music website, TheDwarf which has been online since 2002. CarbieWarbie's extensive social media network has over 75,000 worldwide followers on Facebook, Twitter, Instagram, YouTube and Vimeo. My videos have had over seven million worldwide views. Over the years I have shared hundreds of thousands of photographs on numerous websites and all over social media. I have photographed 1000's of events including Bluesfest in Byron Bay, Splendour In The Grass, Big Day Out, Soundwave, Falls Festival, Laneway, ATP, Queenscliff, River Rocks, White Night, TV Week Logie Awards, Australian MotoGP Grand Prix and more.
Email: carbiewarbie@carbiewarbie.com
Chris Masuak MUSIC - I94 Bar Records
ReplyDeletehttps://i-94barrecords.bandcamp.com/album/workhorse-chris-klondike-masuak-2